14 things… The Future King: Logres

With many thanks to Mlpmom (blogger, reviewer, and all-round nice person), I present to you my very first guest post: 14 things… The Future King: Logres, as hosted on Mlpmom’s amazing blog, My Guilty Obession!

14 things… The Future King: Logres

I’m excited to bring you a very special guest post from new author M.L. Mackworth-Praed and her fantasy book, The Future King Logres.

This looks like it is such a fun and interesting read and I can’t wait to get my hands on it.

Thank you so much Meredith for being here today!

Please do take a moment to visit My Guilty Obession to see what I’ve been up to. In my post I offer insight into what led me to the Arthurian Legends, how my characters first emerged and 14 things I learned whilst writing my debut novel. So check it out!


 
Want some links? Here are a couple:
My Guilty Obession (Mlpmom) on Amazon
Mlpmom (My Guilty Obession) on Goodreads

The Future King Logres is available to buy on Amazon!
Just click here.

 

 

10 things I have learned whilst proof reading

  1. Unless you are a professional proof reader, it is inevitable that you will always miss something (but then I wonder, do professional proof readers miss things too?).
  2. It is surprising how one can read a manuscript multiple times, catching double-spaces, incorrectly formatted dashes and dots, missing words, extra words, and yet on the hundredth read discover an entirely overlooked error – in my case missing speech marks at the end of some lines.
  3. Relying on speech & dictation to catch things for you is a very useful method (particularly for spotting typos) – but it is not to be relied upon 100%. Only yesterday my reader Alex decided to add ‘that’ into my sentence. Clearly he thought the sentence was better with an extra demonstrative pronoun.
  4. A formatted manuscript is much easier to spot mistakes in than a non-formatted manuscript. I suppose it’s the increased space between lines, the fewer words per page, or something.
  5. Fewer words per page and a smaller page size means that you’ll have twice as many pages to proof read, yet somehow because of this the whole task seems to go faster (120 pages per day! Woo!).
  6. Knowing when to stop proof reading is a real issue. How many times do you go through it? With each change lies the potential for fresh mistakes. What if you have a blind spot to the difference between her and his? You meant his, but you typed her. You might not see you typed her until your book is already in print.
  7. I suppose the above is why I am asking friends and family to read through my manuscript for me (trusting, of course, in their superior ability to sense typos in a sentence – much like those who sense a formidable, horrible disruption when one digit is off in pi – can you? 3.141592653589793238462643383279
    50288419716939937510582097494459230781640628620899862803482
    534211706798214808651328230664709384460955058223172535940812
    848111745028410270193852110555964462294895492038196442881097
    56659334461284756482337867831652712019091456485).
  8. The fear of releasing one of those books that we’ve all come across – when you’re on page seven, and a word is missing, or wrong, or repeated – is quite possibly irrational, but also very real.
  9. Don’t try to proof read if you’re tired or hungry. Unless you’re in the right frame of mind whilst reading, you will approach the end of the chapter with the feeling you have not done as well as you could have, and then resign yourself to combing through the same pages again later, when you’re feeling a little less useless.
  10. With all the above taken into consideration, a novel can always be amended to fix any overlooked errors. After all, we all know that’s what editions are really for, right?

10 things I have learned whilst formatting a book in MS Word

  1. Apparently, if you’re going to be making changes to your book after formatting, MS Word is your best choice as it’s easier to edit content. That, and InDesign is just scary if you don’t know how to use it at all, really – so what hope would one have when it comes to formatting a whole novel?
  2. You’ll probably start with a font size which will make your book seem shorter. But then you’ll change the page size, line spacing and margins, and suddenly your book will seem longer. Much longer. Not good if you’re self publishing and more pages=less profit.
  3. It is surprising how bookish your book will look with only the things mentioned in (2) formatted. Because yes, surprisingly, there is more. Once you do get to the ‘more’ part, MS Word will start to seem like a living, thinking thing that does illogical things just to annoy you. This sense of working with a living, thinking thing will not deter you from insulting it frequently with all kinds of profanities, however, and you will feel no guilt in doing so.
  4. If you’re a first time self-publisher and have no experience in publishing, well, anything, you’ll inevitably have to refer to other (more traditionally published) novels to figure out what yours should look like. This is useful, and you should do it. Pick one book you like the look of and use it as a point of reference. Preferably something from your genre. After all, you don’t want your crime-thriller looking like erotic fiction (though if it’s all about tension anyway, what’s really the difference?).
  5. Referring back to point (3). You will format, you will think you are done, and then you will notice something that isn’t as it should be. For example, paragraphs breaking on the next page, thus giving you uneven line-to-page frequency. (Tip: if you have this problem, uncheck window/orphan control in format/paragraph for the whole document to fill your pages completely with lots of lovely prose). There will be other things, but at least you will feel accomplished when you fix them.
  6. Even if you do the above and check off window/orphan control, if you have inserted chapter dividers that look fancy, this will knock off your layout on your lovely new-chapter pages. Still trying to figure out how to fix that one without simply changing the font size of the empty line above said fancy chapter dividers (because, somehow, that seems crude).
  7. Headers and footers are important – format them well! Choose ‘different odd/even pages’ and make sure you mirror your margins through format/document. This does something else to make it look more bookish. From looking at various books I have determined that authors usually have their name on the even page and the title of the book on the odd page.
  8. Inserting Section Breaks is an absolute nightmare. Seriously, first you figure out that you’re supposed to inset a Section Break relative to whether it’s an odd page or an even page, then you figure out how to get the page numbers to start at ‘1’ on the fourth actual page, and then you realise through exporting to PDF that each new Section Break has skipped a page number and thus created a ‘phantom page’ with nothing on it before every chapter in your document. Huzzah.
  9. Confident in all the abilities you have learned (as listed above), you calmly go through the document to rectify the problem, only to have one Section Break change reset all the others into a paradoxical chaos of wrong numbers and jumps and gaps where your book is suddenly longer or shorter than it actually is (but not really, hence the number-paradox).
  10. You fix the above (9) without screwing everything else up. But you’re still editing or there’s a few things left to change. You now wish you had finished the final draft before even attempting formatting, because you’re terrified the slightest change might destroy everything you’ve worked so hard to achieve. Who knows? Maybe a paragraph more or less will confuse everything and you’ll be stuck undoing everything you’ve done in order to redo it properly. Let’s hope not.

10 things I have learned whilst making a book cover

  1. Pre-existing book covers are your friend. Look at them, examine them and focus on studying books in your genre, but don’t be too disappointed if your self-publishing platform doesn’t support the trim size you inevitably fall in love with as a result (five by seven, five by seven!).
  2. Make sure the cover correlates with the interior feel of the actual novel (and then dance about celebrating your own brilliance when you think of something that looks really cool).
  3. Having twenty layers live at once in Photoshop will destroy your computer. No, really. The fan on mine has just… died, or something.
  4. After spending four hours trying to align font at the bottom of your page to font at the top of your page, your eyes will go funny and everything will look wonky anyway.
  5. The longer you stare at the block colour red, the more it begins to look like some whacky gradient.
  6. Apparently due to variations in book binding the artwork for the cover will sometimes end up on the spine, and spine on the cover. You will be advised to avoid sharp lines and complex patterns, so naturally use them anyway.
  7. You should (and probably will) print out your book cover and wrap it around some other less important novel just to see what it looks like on a bookshelf (mighty good, I tell you).
  8. An actual, real life plastic ruler can be very helpful when determining layout spacing on your screen for the less technically gifted of us.
  9. Asking (non-graphic designery) people their opinion on your artwork can be confusing. Just focus on the things they agree on, and ignore anything they don’t.
  10. Making a book on a template before you have your final page count is just asking for trouble. You think you’re finished, then a last-minute cut adds or subtracts a page or two. New spine thickness, new document! Yeah!

10 things I have learned whilst searching for a literary agent.

  1. The Artists and Writers Yearbook is a must, but with my copy harking from 2013, I have discovered the internet to be just as useful.
  2. At first you apply to three agencies simultaneously, having heard the stories. Then five at once. Then eight at a time. When you start to fear they may all reject you, you begin to wonder how long you should wait until starting from number one again.
  3. Time is slow when you have queries pending, which (assuming you adopt the above) is always.
  4. Checking your emails seven times a day does not make time go faster.
  5. A request for a full manuscript will always fill you with joy.
  6. A rejection after a request for a full manuscript amends your expectations to ‘best case’ and ‘worst case’ scenario. The ‘worst case’ scenario is that you will receive an unaccompanied ‘no’. The ‘best case’ scenario is that you will get some usable feedback.
  7. The gratitude you feel when you finally do get tailored feedback is boundless. Agents are busy, we all know, which makes this feedback all the more valuable when someone does find the time to give it to you (thank you, really).
  8. Rejections pass like unusually-shaped clouds. At first they are something to point out, but soon they go unnoticed.
  9. Silence from an agent after a query is no reflection on you, but on the time they have spare to respond. Don’t take it personally.
  10. Despite the above, finding an agent who loves your work as much as you do is still a viable and possible dream. Worrying about what to do should two agents ask to represent you may be premature, but it is an inevitable fantasy.