So! Yesterday (was it yesterday? Actually, I think it was Friday), I finished my edit/proof read of my novel. That’s right! All five-hundred and something pages checked, double-checked, and tweaked. Surprisingly the new format of the novel made catching things that I’d never noticed before much easier – such as missing speech marks, duplicated words, or words that had clearly hung on despite the rewriting of the sentence. Inevitably, I will have missed one or two things. My three-pronged approach of reading in my head, reading aloud, or getting dictation & speech to read for me can’t have picked up everything. As a result I have sent my final draft off to my proof-readers, and am awaiting their verdict. I shall have to resist the urge to edit again when comments come back – after all this is the start of a story, and there are always so many ways to tell it.

In the meantime I am trying to work my way through the minefield that is writing your own blurb. I should be able to manage it, I’ve written a novel, right? I edited that novel, then after that I did the unthinkable – I trimmed down 120,000 words into a one-page synopsis. That, at the time, seemed impossible – but as it is often shown, the impossible turned out to be possible after all. 200 words or less is a much shorter order to work to, however, and (so far) I’ve found it’s the sort of thing that can only be approached in short bursts.

One draft – a splurge of sentences on the page that make little sense. Break. Another draft, writing an alternative to the above. Research, lots of research – or at least just a little bit – looking at book blurbs in your own library and googling ‘how to write a book blurb’, only to find that there are several ways one can do it. Writing again, with these strict guidelines in mind. Deleting all the above because, surprisingly, the guidelines were actually quite helpful. Break, because what you wrote needs to sink in before you can edit it. But you’re there, you’ve got the tone and the content right. Now it just needs to… pop.

Other than that, my schedule at the moment includes getting other aspects right – in particular things like text for the acknowledgements. As I am destined to a reasonable wait before I can continue with the whole publishing thing (everything is on hold now until the book itself is ready to be uploaded), I will probably return to some of the other points on my to-do list for a while. Scanning my grandfathers’ slides of plants and butterflies is one, illustrating a few projects is another, working on a children’s book is my third (nearly done, I just need a decent ending). Presently I am battling the urge to try restructuring my book completely, just to see if it would be better (or worse). Knowing when to stop tweaking is a good skill, and it’s easier to do when working on a painting or drawing. The result of a drawing is usually completely visible on one page, and is therefore easier to conclude that it is, actually, finished. Perhaps someday I will be able to transfer such understanding to my written work, and the whole process may become a little easier to draw a line under.